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Gaining Insight Through Feedback Chapter 6. Figure 3. Vels Trio Celestial Greens. Various Artists Future Bubblers 5. Biosphere Shortwave Memories. Wild Billy Childish has been recording and performing since the punk explosion. Billy is also an internationally exhibited artist and poet. The William Loveday Intention is the latest incarnation.
The groups name can be attributed to Billy's grandmother, Ivy Loveday, who registered his birth as William Ivy Loveday, with William being his great grandfather's name. The 'intention' of The William Loveday group was to revisit some early tunes which Billy had imagined could be orchestrated. This was the beginning of a 'career in a year' with over 14 LPs being recorded during the lockdown period at Jim Riley's Ranscombe Studios.
Release date: Expected 26 Nov ' Connoisseurs will tell you that the band have their place in any ultimate discotheque. Release date: Expected 10 Dec ' The forthcoming latest edition of the popular compilation series featuring long-lost vintage 60ss proto-metal and stoner rock singles, Brown Acid: The Thirteenth Trip will be available on Halloween Alas, Ralph and these Wright Brothers soon disappeared from terrestrial airspace.
The recording is technically credited as Gary Del Vecchio with Max, though not the same band as the one that kicks off this Trip. After relocating to Southern California a few years later, the band morphed into Fortress, an 80s melodic metal act whose Hands In The Till album of Pomp Rock on Atlantic Records still draws chatter today. Nonetheless, the stomping energy and fried-amp guitar tone make this one a charming skull thwack. Not much else is known about the one-off release on P.
Records, but songwriter Mike Moats is noted to also have been a recording engineer in later years and this well produced track sounds like a labor of love. From its founding in the late 14th century, the kingdom of Buganda has been celebrated through sound and nurtured a rich musical tradition in its royal court.
Coming from across the kingdom, musicians would take turns in the palace to sound drums, xylophones, flutes, lyres, and more to praise and honour the existence of the kingship. In recent years however, the tradition has been more difficult to maintain, especially since where there was a violent attack on the palace that abruptly abolished the kingdom and during which royal musicians fled or were killed.
And while the kingdom was re-established in as a cultural institution, many of the remaining musicians had since chosen to sideline their skills to deal with the issues of their day to day lives, the practice of the royal tradition waning in popularity, especially with younger listeners and players.
But all is not lost. Scattered across the kingdom, a motivated team of older veterans and attentive young players are still keeping the tradition alive.
Offering a transversal glimpse into the past and the present, "Buganda Royal Music Revival" collects recordings made in between the late s and illustrating the older generation's skills, and presents them alongside recent recordings featuring old and young musicians who still carry on this musical tradition, some even performing for the current king, Muwenda Mutebi II.
The later were made during the shooting of the documentary "Buganda Royal Music Revival" that presents through a film what this album conveys through sounds: a packed dive into a century-old tradition. The music displayed here is diverse and vibrant, presenting a variety of styles and highlighting instruments that illustrate the depth and sophistication that stemmed from the royal court experience of Buganda.
As a starter, the album opens with 'Mujaguzo'. Often translated as 'The Drums of the Kingship', the mujaguzo is a crucial ensemble for the cultural tradition, made from drums collected by the kingdom throughout its long history and numbering around drums historical records suggest there were at some point over They are the vitality of the kingship packaged into sound.
From here, we're introduced deeper to an array of instruments and textures, like the buzzing Bugandan lyre endongo by contemporary royal player Albert Bisaso Ssempeke, the resonant akadinda xylophone with its 21 large wooden keys, Temutewo Mukasa's restless praise sung with his harp ennanga , the hand-made gourd trumpet amakondere , the entenga "drum-chime" and its core set of 12 drums tuned like the amadinda xylophone, or the tightly intertwined melodies of the flutes ensemble abalere.
Just thugs like me G You do not deserve it. Just my thanks and support. That's terrible! This can't be real! You don't deserve this. I hope you won't have to pay such a huge amount of money Shame on him, what a turd, I wouldn't piss on him if he was on fire, Keep the music alive, great work you do here. Hi there T. That is just crazy. How awful to have fans who want to hear every little fart you have committed to tape. Be it live, studio or in between. He has my eternal sympathy. Probably Prince want to release his own piracy to make some extra money.
Another histerical scream for attention for me. Hey T. And I feel sorry for Prince. He should take a look to other band practices, like Grateful Dead, who allow their fans to share their concert recordings as far as nobody earns money with them. Prince that shows less intelligence than could be expected from you. Please keep us updated on this story. Maybe we should start a internet petition to Prince. Let's face it this guy hasn't been relevant since Sign O The Times.
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