In Chapter 20 , the Hoshidan army is trapped in Fort Dragonfall and Azura uses the song to allow the army to escape. Azura isolates herself to a nearby lake where she is slowly being consumed by a purplish miasma surrounding her body. It dissipates shortly after, but Azura is left severely exhausted. Azura explains the reason for the purple miasma, telling them that using the song causes it and that if she continues to use it in the same magnitude, she may die.
Corrin makes her vow to not use it as much as possible. In the Endgame , King Garon transforms into a dragon, forcing Azura to sing the song in order to weaken him enough so he can be slain.
After Garon is finally killed, Azura's body quickly liquifies and she disappears. During the performance, Azura slips away and dons a dark purple version of her dress with a veil and sings a slightly different version of the song. The song causes great discomfort in King Garon, causing his eyes to roll back.
Seeing this, a manhunt begins for the mysterious singer with the Nohrian army capturing and killing any and all songstresses in Cyrkensia.
No one was aware that it was Azura who was the performer. After the massacre at Cyrkensia, Corrin catches Azura singing the song at a lake, opening a portal to another world where they reunite and rescue Gunter.
In the Endgame , Azura sings this to weaken the enraged and possessed Takumi so he can be slain. Corrin and Azura discuss its possible origins: while the true origin was lost in time by that point, Azura speculates that it acted as a cry for help from Anankos for those who understood the meaning of the lyrics and to free him from his madness with death.
In the Record Hall's ancient texts, the three separate verses of the song are listed as the prophecies of Sky, Land and Below and are said to be the three prophetic songs meant to save Anankos when he descends into madness. The Sky version is sung in the Birthright Endgame , the land version is sung in the Conquest Endgame , and the Below version is sung in the Revelation Endgame. The song's origin is finally revealed in Hidden Truths , where Anankos reveals himself as its creator.
It was meant to be used by a Songstress in conjunction with the pendant made from a piece of his Dragonstone to weaken himself. However, it began to lose its effect on him over time and the use of the pendant started killing the Songstresses.
The song itself is meant to be sung from Anankos' perspective about his child, Corrin. If the song is sung without the pendant, it has no effect aside from being a normal song. In Heirs of Fate , it is revealed there is a fourth verse of the song that is too powerful for even Azura to sing, which both the first King of Valla and Shigure can at the cost of vanishing. Azura teaches Shigure the verse to save the world where they failed to defeat Anankos after going to Valla.
Azura's son Shigure also learned to sing the song and often sang it with Azura as he grew up. In his supports with Azura, he has trouble hitting the right notes due to his voice changing, so Azura rewrites the song's melody to fit his changed voice. At the end of his Paralogue , Shigure sings the song as a requiem for his fallen caretakers who gave up their lives protecting him from invisible forces that invaded his Deeprealm. If a 5-Star Azura is raised to Level 40, she sings the first line of the song during her Max Level conversation.
Azura has two separate Warrior Attack animations in which she sings the song. In one, she sings the 5th and 6th lines of the Birthright verse. She will don her Conquest outfit and sing the 5th and 6th lines of the Conquest verse. Fire Emblem Wiki Explore.
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View source. History Talk 8. In Heirs of Fate, the song is sung by Yoshimasa Hosoya in Japanese, and Matthew Mercer in English Both as Shigure The Japanese version of the song received an album release shortly after the release of Fates itself, and also received a limited edition release. The following section contains spoilers, viewing it will cost a lot.
Are you prepared to pay for it? It's a pleasure doing business with you! Categories Music. Universal Conquest Wiki. MAX - Black piano keys are pressed using the Shift modifier key. All five octaves are available Show keyboard maps.
Notes are indicated using LED lights How to play songs. Collect points as you play any of our interactive songs and challenge your friends to see who gets the highest score! Check out the rules. Sonata No. Moonlight Sonata Ludwig van Beethoven. Clair de lune Claude Debussy. Summertime George Gershwin - Lyrics. Susanna Stephen Foster Wells - Lyrics. The Entertainer Scott Joplin. Gymnopedie N. Rondo Alla Turca W.
Canon in D Major Johann Pachelbel. Greensleeves Traditional. Lacrimosa W. Menuet BWV Anh. Ode to Joy Ludwig van Beethoven. Sonata in C Major W. Scarborough Fair Traditional English Ballad. Twinkle Twinkle Little Star Traditional. Jingle Bells James Pierpont - Lyrics. Silent Night F. Gruber - Lyrics. The First Noel arr. John Stainer - Lyrics. Joy to the World Traditional - Lyrics. Acoustic scale. Altered Super Locrian scale. Augmented scale. Bebop dominant scale. Blues scale.
Chromatic scale. Double harmonic scale. Dorian mode. Hirajoshi Japanese scale. Iwato Japanese scale.
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